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CAMERATA PORTEÑA

The Camerata Porteña, founded in 1986 by Marcelo Rodríguez Scilla, at the request of Astor Piazzolla himself, has been dedicated since its inception to the renovation of Contemporary Tango.

Its distinctive feature is the successful combination of the subtlety and precision of chamber music, with the expressive strength of the music of Buenos Aires, both in the arrangements and interpretation of the Piazzollean work and in the conception of own creations.

The international specialized press has referred to the Camerata Porteña as “the authentic heirs of Piazzolla”, not only for the exquisite interpretation of his work, but also for continuing his legacy with avant-garde compositions.

Marcelo Rodríguez Scilla

Composer, arranger, director, instrumentalist and singer. Graduated in Guitar, Singing and vocal technique, with postgraduate degrees in Choral and Orchestral Direction.

He created and directed the Grupo Vocal Encuentro. Design and directed the Musical Development Program of the Province of Catamarca, Argentina.

He has made tours and concerts in America, Europe and Australia. He composed music for television, documentaries and advertising. He made more than 500 orchestral and choral arrangements for symphonic and chamber groups, Argentine and foreign.

In 1986, at the request of Maestro Astor Piazzolla, he created the Camerata Porteña, an orchestra composed of prominent Argentine musicians, with which he maintains an uninterrupted activity until today.

The Camerata Porteña transformed pain and sadness into a musical delight during the concert offered at the “Feria de las Artes de Sinaloa”. The audience offered strong and extended applauses to the “porteños” –as natives from Buenos Aires are called- acknowledging their artistic quality and interpretative beauty.

Debate, México

Piazzolla legitimate heirs. Among the many contemporary tango groups, the Camerata Porteña occupies a special place because it was created at the behest of Piazzolla himself. The Argentine group began its career in 1986.

El País, Montevideo,Uruguay

That is the way in which things happens with the Camerata Porteña, where a group of expert musicians stand out in a brilliant performance. Piazzolla’s lyric strength finds a particular echo in the interpretative way of the Camerata Porteña, and that emotive and intimate aspect stands out in the compositions, those which with generous inspiration were composed by Marcelo Rodríguez Scilla and Alejandro Borgo.

Fernando López (La Nación, Argentina)

The genuine Piazzolla’s heirs. Camerata Porteña offered an excellent concert, not only proving to be magnificent performers, but excellent composers.

Rubén Borrazás (Últimas Noticias, Uruguay

The sound of the Camerata Porteña reaches an infrequent.30 beauty, very close to perfection.

Jorge Montiel (Revista Luna, Buenos Aires)

Camerata Porteña left the Auditorium full of angels. The atmosphere was emotionally loaded, and from everywhere it could be felt the sights of the ones that shed some tears moved by the beauty of the concert. (El Periodiquito de Aragua, Venezuela) With several albums released and many years of experience in contemporary tango, the Camerata Porteña was always very near to Astor Piazzolla, who strongly supported M.Rodriguez Scilla, whose talent he so much appreciated; today he is considered one of his artistic heirs .

Ricardo Salton (Ambito Financiero, Argentina)

With exquisite sensibility and a compact sound, the Camerata Porteña honored Astor Piazzolla, the composer who promoted this orchestra. Camerata Porteña, “El ÁngelVive”.